Men live in this space: there is a winding road and a bridge.
It is not a pale copy, said curator Mathieu Deldicque.
More than 10 experts have been examining the drawing for the past few weeks, performing scans and using other scientific methods.
Bruno Mottin told the Parisien newspaper tests had revealed the high-quality work was not a copy of a lost last minute promotional code original.The Mona Lisa, painted by Leonardo da Vinci, in the Louvre museum in Paris.In his, mona Lisa, the individual, a sort of miraculous creation of nature, represents at the same time samsung s5 g900f miglior prezzo the species: the portrait goes beyond its social limitations and acquires a universal meaning.The hands and body, Deldicque said, are almost identical to Leonardos inscrutable masterpiece.But later specialists had their doubts and thought it probably came from a member of the artists studio.The large drawing has been held since 1862 in the huge collection of Renaissance art at the Conde Museum at the palace of Chantilly, north of the French capital.
Their suspicions proved to be unfounded.
People have come up with all sorts of theories about the painting, some educated and some downright silly.
Metropolitan Museum of the Arts in New York City.But Mottin said that they hoped to pin down the identity samsung galaxy s6 цена в казахстане of the artist within two years, in time for an exhibition at Chantilly to celebrate the 500th anniversary of Leonardo da Vincis death.The hatches on the bottom of the drawing, however, are harder to make out.This outline, then, could have served as the starting point of a painting.It is a painting but not a canvas.Did you know that the Starbucks siren is deliberately imperfect?And then at the.
Da Vinci's famous masterpiece is painted on a poplar plank.
This space represents the transition between the space of the sitter and the far distance, where the landscape becomes a wild and uninhabited space of rocks and water which stretches to the horizon, which Leonardo has cleverly drawn at the level of the sitter's eyes.